The purpose of the trip was manifold (though simply traveling with The Live Acorn is reward enough, of course): first, Bright Eyes was playing on Thursday night at the Twilight Concert Series, which is a weekly free music show in a downtown park. I would guess that there were about 30,000 people (22.6 kilopeople) there – my nephew Alex (The Big Alcorn?), who is about 8’4” and around 320 lbs (pretty good-sized in metric, too), said that he’s been up front a couple of times and won’t go again, due to the crushing nature of the frenzied mob. The Live Acorn, oddly enough, didn’t want to hang out with me and my brother, so I consented to let her wander around alone, after extracting a transparently insincere pledge of safety-mindedness and common sense. We met after the show at the exit:
Dead Acorn: So what did you do?
Live Acorn: I just went up toward the stage a little to listen.
Dead Acorn: Yeah? Where were you?
Live Acorn: About 4 people back from the stage, right in the middle.
Dead Acorn: Well alrighty then. (shakes head; gives up last bit of hope)
Friday evening, we attended a friend’s wedding – a thoroughly enjoyable affair all ‘round. It was a fairly short ceremony proper, with fellers in pink-vested tuxedos and bridesmaids in non-taffeta dresses – a lovely sight indeed. The Live Acorn was quite stunning with blue eyes a-sparkling and red hair a-flowing, and many were the occasions that the cautionary phrase “ROB THAT’S MY GODDAMNED DAUGHTER GET THE HELL AWAY FROM HER” left my lips.
Speaking of lips, I think that “drunken attempt at tango, rose in lips, with the mother of an ex-girlyfriend” is really all that needs to be said (and though it was only five steps out, a botched attempt at a turn as she laughed hysterically, and five steps back, she did wear the rose in the neckline of her dress for the rest of the evening).
On a completely different subject, I’ve written a 3-act, 1-person play:
Act 1: (Fade to light … a man, sitting in a Suzuki Sidekick in front of a pub, has just rolled the window up and suddenly realizes his door handle is broken, and he needs to roll the window down in order to let himself out. He sighs heavily and does a facepalm. Fade to black.)
Act 2: (Fade to light … the man has successfully opened the car door, and has rolled the window all the way up, only to have the car door shut upon the final turn of the handle. The man inhales deeply and slowly exhales while rubbing his temples with his thumb and middle finger, muttering “fffffuuuu …” as he tries to abate his frustration. Fade to black.)
Act 3: (Fade to light … the man is sobbing uncontrollably) Why? WHY? My desires are known well to me, and known no less the path to attain them. They are within my visions, the vision both of my eyes and of my heart, yet though it is with great clarity that I recognize the way to pure joy and true nirvana in this life, I find myself unable to render tame the obstacles I face and cross the portal to that happiness. From whence this vile demon, by whom I am kept from destiny?
Some may see this as an extremely poor metaphor for larger issues, but I assure you, it’s just a simple story based on actual events.
I’ll give your regards to Broadway.